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2 Herald St
E2 6JT
United Kingdom

+44 20 7168 2566

Contemporary art gallery in Bethnal Green, London. Representing artists Markus Amm, Alexandra Bircken, Josh Brand, Pablo Bronstein, Peter Coffin, Matt Connors, Matthew Darbyshire, Michael Dean, Ida Ekblad, Annette Kelm, Scott King, Cary Kwok, Christina Mackie, Djordje Ozbolt, Oliver Payne, Oliver Payne & Nick Relph, Amalia Pica, Nick Relph, Tony Swain, Donald Urquhart, Klaus Weber, and Nicole Wermers.

Amalia Pica

Born 1978, Neuquén Capital, AR

Lives and works in London, UK

CV

 

Publications

 

Exhibitions

2021

2019

2013

Paperweight #14

2023

Bronze

8 x 28 x 16 cm / 3.1 x 11 x 6.3 in

Edition 2/3 + 2AP

Paperweight #15

2023

Bronze

8 x 17.5 x 11.5 / 3.1 x 6.9 x 4.5 in

Edition 1/3 + 2AP

¡Qué viva el papeleo!, Museo Jumex, Mexico City, MX, 2023

Catachresis on paper #10 (face of the mirror, foot of the bed, spine of the book, face of the crystal, heel of the shoe)

2022

Collage

35 x 28 x 2.8 cm / 13.8 x 11 x 1.1 in, framed

Catachresis on paper #54

(head of broccoli, spine of the book, legs of the chair, tongue of the shoe)

2022

Collage, artist’s frame

35 x 28 x 2.8 cm / 13.8 x 11 x 1.1 in, framed

rock comb, Brighton CCA, Brighton, UK, 2022

Catachresis on paper #25 (the teeth of zipper, the face of the crystal)

2022

Collage, artist's frame

35 x 28 x 2.8 cm / 13.8 x 11 x 1.1 in, framed

Catachresis on paper #10 (face of the mirror, foot of the bed, spine of the book, face of the crystal, heel of the shoe)

2022

Collage

35 x 28 x 2.8 cm / 13.8 x 11 x 1.1 in, framed

Quasi, Fondazione Memmo, IT, 2022

Promised Lands, Hacer Noche, Oaxaca, MX

Quasi, Fondazione Memmo, IT, 2022

Study for rearranging the conference table 24

2021

Wood and formica laminate

160 x 528 x 5 cm / 63 x 207.9 x 2 in

Ed. Unique

While inside (swinger)

2019

Object for animal enrichment, speckled yellow polyethylene, ropes, support shackle and carabiner

⌀134.6 cm / 53 in

Study for rearranging the conference table 13

2020

Wood and formica laminate

160 x 120 cm / 63 x 47.2 in 

Ed. Unique

Joy, Wellcome Collection, London, UK, 2021

Study for rearranging the conference table 21

2021

Wood and formica laminate

160 x 160 x 3 cm / 63 x 63 x 1.2 in 

Ed. Unique

Installation view, Private & Confidential, The New Art Gallery, Walsall, 2019

(un) heard (room)

2019

Plastered noisemaking objects of protest, metal hardware and rope

Dimensions Variable

Yerkish

2018-2019

Wood, paper and paint

251 items, each: 20 x 20 cm / 7.9 x 7.9 in

Overall: 220 x 600 x 30 cm / 86.6 x 236.2 x 11.8 in

Installation view, Round Table (and other forms), Museum Haus Konstruktiv, Zurich, 2020

Installation view, Private & Confidential, The New Art Gallery, Walsall, 2019

Installation view, Centro Andaluz de Arte Contemporáneo, Seville, 2019

While inside (scratcher)

2019

Object for animal enrichment, speckled Medium Adobe Polyethylene

101 x 101 x 32 cm / 39.8 x 39.8 x 12.6 in

Installation view, While inside, Herald St | Museum St, London, UK, 2019

Installation view, Is This Tomorrow?, Whitechapel Gallery, London, UK, 2019

Installation view, Semaphores, King’s Cross, London, UK, 2019

If lemon make lemonade

2018

Timber, paper and paint

20 x 88 x 2.5 cm / 7.9 x 34.6 x 1 in

Installation view, (un)heard, Cc Foundation, Shanghai, 2018

Installation view, ears to speak of, The Power Plant, Toronto, 2017

please open hurry (in memory of Washoe)

2018

Gypsum

151 x 202 x 13 cm / 59.5 x 79.5 x 5 in 

Ed. Unique

Hello Visitors look picture thank you

2018

Timber, paper and paint

20 x 108 x 2.5 cm / 7.9 x 42.5 x 1 in

Souvenir 12

2018 

Bronze 

19 x 14 x 4.5 cm / 7.5 x 5.5 x 1.8 in 

Ed. 1/3 + 2AP

Unheard inventory (duo)

2017

Plastered noisemaking objects of protest, metal hardware and rope

Dimensions Variable

Double Edge, Folkestone Triennial, Folkestone, UK, 2017

Sipping colors, De Pijp Station, Amsterdam, NL, 2018

A un brazo de distancia, NC Arte, Bogotá, CO, 2017

Soundtracks, San Francisco Museum of Modern Art, San Francisco, US, 2017

ears to speak of, The Power Plant, Toronto, CA, 2017

ears to speak of, The Power Plant, Toronto, CA, 2017

Gwangju Biennale, Gwangju, KR, 2016

Joy in Paperwork #218 - #257

2017

Ink on paper

40 parts, each:

29.7 x 21 cm / 11.6 x 8.2 in unframed

33.3 x 24.6 cm / 13.1 x 9.6 in framed

Catachresis ♯69

Head of the broccoli and elbow of the pipe

2016

Found materials

29 x 20 x 25 cm / 11.4 x 7.9 x 9.8 in

Catachresis ♯63

Tongues of the shoes, legs of the chair, legs of the

table, teeth of the fork and arm of the chair

2016

Found materials

100 x 78 x 103 cm / 39.4 x 30.7 x 40.6 in

Strangers (performance), Switch House, Tate Modern, London, UK, 2016

Katachrese, Kunstverein Freiburg, Freiburg, DE, 2016

Katachrese, Kunstverein Freiburg, Freiburg, DE, 2016

HTUOS/HTRON, Nuit Blanche, Toronto, CA, 2015

Device for mutual eavesdropping #9

2016

Drinking glasses, wood

30.5 x 20.5 x 10 cm / 12 x 8 x 3.9 in

Memorial for Intersections #15

2015

Colour coated steel and coloured perspex

154 x 186 x 60 cm / 60 x 72 x 23 in

Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, US, 2014

Switchboard, Mostyn, Llandudno, UK, 2014

A ∩ B ∩ C, Museo Tamayo, Mexico City, MX, 2013

Amalia Pica, Chisenhale Gallery, London, UK, 2012

Museum of Contemporary Art, Chicago, US, 2013

A ∩ B ∩ C (line)

2013

Installation with perspex shapes and occasional performance

Dimensions variable

I am Tower of Hamlets as I am in Tower of Hamlets, just like a lot of people, Off-site project, Chisenhale Gallery, London, UK, 2011

Chronic Listeners, Kunsthalle St Gallen, St Gallen, CH, 2012

For Shower Singers, Modern Art Oxford, Oxford, UK, 2012

ILLUMInations, curated by Bice Curiger, 54th Venice Biennale, Venice, IT, 2011